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Summary: This Italian-made bass is a rare bird straight out of the 1960s with a fantastic and unique sound. The space-age inspired offset body sports a super cool cherry burst finish.
This bass is in good shape & it comes with the original oddly shaped hard-shell case.Body: Solid body double cutaway bass with a wonderful sunburst finish, brown pickguard, thumb-rest, one volume knobs & tons of switches.Neck: Solid one-piece maple neck with a rosewood fingerboard, 21 frets, original tuning keys, big white dot inlays. The scale length on this bass is 30.5” and the nut width is 1 7/16”.Pickups/Hardware: 2 original single coil pickups, one volume knob, 7 switches that allow multiple tone configurations & combinations, chrome hardware, adjustable chrome bridge.Cosmetics: Overall this bass is in good shape for its age. There are nicks & scratches consistent with a well-loved but played bass guitar from the 1960’s. There are scratches on the back & some scratching on the chrome as well, but overall it looks awesome & it sounds and plays great.Playability: This is a fine playing bass guitar – the action is low & the instrument has been set up with flatwound strings.
The frets are thin and they still have life left in them.Modifications: There are two holes right below the neck pickup that looks like it may have had a finger rest there at some time, otherwise this baby looks to be original.Weight: 8 lbs, 4 oz.Case: Original hardshell Goya case. PaymentWe accept credit cards over the phone or pay pal (there is an additional 3% fee for using paypal or credit cards over the phone).ShippingWe ship to select international locations. International shipping can become quite expensive. We will not falsify value on customs forms EVER!
Please don't ask.Returns3 days on used and vintage gear. 14 days on new items. Buyer pays shipping both ways. No returns on shipped amplifiers.
New items returned with out all packing materials and included inserts will be charged a 15% restocking fee.
In a former life, Juan Alderete was an ’80s shredder in the heavy metal band Racer X. Here he is in 1987 with fellow Musicians Institute-trained masters Paul Gilbert (left) and Bruce Bouillet (right). Photo by Neil ZlozowerWhat about “Warped Descent?”That song was written after Mark cut his drum tracks, so it’s a drum loop.
I was in my studio messing around with two pedals, the Chase Bliss Audio Warped Vinyl into the Descent Reverb by Walrus Audio, and I was like, “Whoa, that’s dope.” I threw up a mic and recorded it. No click—I just trusted my time. I threw it on my SoundCloud at first, like, “Check out these two pedals.” I kept listening to it thinking I should make something out of it, so I sent it to suGar, who dug it and added to it.The bass tone on “Angels Flight” is huge. What went into it?We recorded “Angels Flight” live, and suGar really liked that version, but I envisioned it being heavier, so I overdubbed my bass on it and made it a little tighter. Robert came to my studio and miked me up and put me through the DI and I overdubbed myself.
I still don’t know if I did the better thing. There are still some characteristics of the live version, like my wah envelopes were tighter and cooler sounding, but the overall heaviness of it is bigger now.